In darkness we trust

cornwall haunted house

Having just spent a wonderful week in Cornwall, seeking out its darker corners, I have been inspired to write about this ancient kingdom and its ghosts and legends. Here is the first tale – one of Cornish men and the spectres that haunt them…


Do you believe in ghosts? Or are you one of those fortunate persons who have no fear of the unseen? Or, again, do you belong to the great majority, who keep an open mind, but who like to feel on certain occasions that, after all, just round the corner, in the mysterious darkness, something might happen? …


I believe in ghosts, and not only on Christmas Eve and other occasions much celebrated. For it was on a perfect summer evening, in July, 1911, tranquil and moonlit, that the astounding experience befell me which the editor of the “Weekly Chronicle” has requested me to relate.

I was staying in Cornwall with an old Cambridge friend, who had taken Orders. I had been living a delightful, care-free existence in the open air, bathing and playing tennis, in fact, doing everything but think of ghosts.

Then, one night, at dinner, the conversation turned, as it so often does, to the psychic, and the usual discussion took place. John, my Cambridge friend, had been reading stories by MR James, and was still deeply affected by the impression they had made on him. His brother, Philip, a clever, cool-headed young man, who was spending his long vacation at home, openly scoffed at his foolishness, and a keen argument took place.

Finally, John leaned forward and said: “Well, we have an opportunity of testing all these theories.” Continue reading

Those who marry ghosts

Those who marry ghosts

“And it’s a ghost story you want, is it?” asked the railway guard, having spent the past quarter of an hour or so conversing with the gentleman in the waiting room.

“Well,” he continued when he received an affirmative answer, “did you ever hear of anybody marrying a ghost? I know a young woman who married a ghost and is living with him.”

The young gentleman moved his shoulders ever so slightly. “Please go ahead with your story,” he said, brushing aside a steel-grey curl that had slipped over one eye.

“Then I will,” said the guard. “Though it is as sad and unfortunate as it is unnatural.”
The guard walked towards the young man but instead of seating himself on the bench beside him he chose to rest upon a pile of luggage nearby.

“The woman in question was young Mary Carpenter,” spoke the guard. “Twenty years ago, she was living in a nearby village — in fact, the very place you are travelling to. The girl was betrothed to Tom Allen, a young man who lived not far from Mary, and their wedding had been planned for the June of that year. Sadly, only a week before the wedding, the young gentleman was killed in a terrible accident whilst working on the London to Brighton line. He had a hard job shunting those engines, and the one that took him nearly split him into two — awful business it was.”

“Well, as you would imagine, Mary was devastated; but, oddly, only days into her mourning her grief appeared to subside, and was replaced by a strange newfound happiness.”

“She told her parents that she had met and conversed with Tom’s spirit and they had planned for the wedding to take place on his grave. Her parents attempted to understand their daughter’s predicament but soon they were out of their minds with worry and had to call for a doctor to assist. To their surprise, however, the physician said that the girl was entirely without fever or delusion and confirmed that her mind was perfectly intact. The doctor was called upon several times but on each visit his diagnosis was consistent and his medical skills were not called into question.”

“The parents were entirely at odds with the whole affair but with the sanity of their daughter confirmed, and wishing her to be happy, they allowed her to go ahead and make preparations for her wedding to the ghost.”

“She rented a house and furnished it and went to the minister to engage his services to pronounce the ceremony. The reverend did not take kindly to the wedding of a pretty girl to an apparition and told her it was sinful to do so. She insisted and finally seeing how heartbroken the girl was the minister and her parents agreed to allow the marriage.”

“She is now married and lives in a cottage for two, and an apparently empty chair sits on the opposite side of the table from her as she eats her meals. She eats and talks to the imaginary husband on the opposite side of the table and seems to be happy as the bride of a ghost.”

“Mr. Carpenter, her father, is a well to do man of these parts and as he has the money to afford it he continues to furnish his daughter the means of keeping house with her husband’s ghost as long as she finds comfort for her broken heart in such an existence.”

“I have nothing more to add except to say that I have seen little of the woman since; but each time she has appeared in public those who have seen her say she presents herself in perfect health and is exquisitely neat and dainty.”

“But, no doubt sir, you consider this to be nonsense.”

The young man smiled and, on hearing his train arrive, rose and stepped out onto the platform. As the train moved out, however, the young man turned to remove his overcoat, and a shower of rice fell out; the guard stood behind him, a startled look on his face, and struggled to recall the chap’s name.

The bride who went to Heaven; the groom who went to Hell

The bride who went to heaven; the groom who went to hell
Though there are many ghostly legends, or half-historical traditions, of the antiquated mansions of Lancashire, few are so rich in ghost-lore as Kersal Hall.

A Lancashire version of the Faust legend is the story of Eustace Dauntesey, of Kersal Hall, who was in love with a lady who was about to be married to a rival; on the eve of her marriage, Eustace, being familiar with the Black Art, raised the Devil.

The wedding day was fixed, but the prospect of her marriage was a terrible trouble to Eustace, and threatened to mar the happiness of his life. Having, however, in his youth perfected himself in the black art, he drew a magic circle, at the witching hour of night, and summoned the Evil One to a consultation. The meeting came off, at which the usual bargain was quickly struck, the soul of Eustace being bartered for the coveted body of the beautiful young lady. The compact, it was arranged, should close at her death, but the Evil One was to remain meanwhile by the side of Dauntesey in the form of an elegant “self,” or genteel companion.

In due course the eventful day arrived when Eustace stood before the altar. But the marriage ceremony was no sooner over than, on leaving the sacred edifice, the elements were found to be the reverse of favourable to them. The flowers strewed before their feet stuck to their wet shoes, and soaking rain cast a highly depressing influence on all the bridal surroundings; and, on arriving at the festive hall where the marriage feast was to be held, the ill-fortune of Eustace assumed another shape. Strange to say, his bride began to melt away before his very eyes, and, thoroughly familiar as he was with the laws of magic, here was a new phase of mystery which was completely beyond his comprehension.

In short, poor Eustace was the wretched victim of a complete swindle, for while, on the one hand, something is recorded about “a holy prayer, a sunny beam, and an angel train bearing the fair maiden slowly to a fleecy cloud, in whose bosom she became lost to earth.”

Dauntesey, on the other hand, awakened to consciousness by a touch from his sinister companion, saw a huge yawning gulf at his feet, and felt himself gradually sinking in a direction exactly the opposite of that taken by his bride, who, in the short space of an hour, was lost to him forever.

The bride who went to heaven; the groom who went to hell

Freaky Folk Tales

Freaky Folk Tales – a collection of macabre, supernatural and amusing tales, from the haunting of ancestral homes to the malignancy of inanimate objects.

Freaky Folk TalesIt also features rare illustrations and artwork inspired by the Victorian era.

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A bride buried alive

A bride buried alive

In cemeteries that have been disturbed, and the remains of the dead exhumed, there have been found in coffins, nailed solidly and screwed tightly together, bodies of skeletons that were turned over on their sides or faces, occasionally with the knees drawn up, the joints distended, the hands clenched firm, the arms thrust up against the coffin’s narrow sides, the fingers wrapped and twisted in the hairs of the head, the eyes glaring, the teeth ground together, the head doubled under, and many indubitable proofs that the final death struggle did not take place before burial, but that after the coffin lid had been laid away in the shades of the tomb, or dropped into the deep, solid earth, then and there a fierce, agonising, desperately lonely, and hopeless battle for life was waged into exhaustion!

buried alive

A witness to such a tale was Harold Gulliver, chief gravedigger at an old Victorian cemetery in Bath, England in the early twentieth century.

“The work was at times very dangerous. You never know when you are going to be buried yourself,” he said. “There is often a collapse, and everything comes down on you, timber and all.”

“Sometimes,” continued the grave digger, “there are re-openings, and on these occasions gas would come at you like a fog, so that you may often lose your breath.”

On the day in question he had three graves to dig.

“It had been unusually wet of late and I noticed that in one corner of the cemetery much of the earth had been undermined by the water. The stones in this corner had recently been disturbed to enable the ground to be diverted to streets and building lots, something we weren’t too happy about.”

“I scraped away at the earth with my boots and noticed that I had exposed the corner of a coffin lid. ”

“The coffin needed to be reinterred, of course, so I got several of the men to help me.”

The men gathered and pressed closer to the open grave.

“I gave some loud directions to them. In a very few minutes the coffin was fully up but as we pulled it out of the earth the lid came away. Then I heard a low cry from one of the men.”

Mr Gulliver went on to say that when the lid of the coffin was removed the face and figure of a young bride was revealed, dressed in wedding garments of fine white satin, with a bridal veil, and ring of a costly style and distinction, and all the evidence of affluence, refinement and station of life. The remains were supposedly to have been buried about twenty-five years previously. The coffin plate was no longer present, and, in the really indecent haste of the heartless contractors and brutish labourers, who had worked previously in the area and ruthlessly tore and tossed the relics up, there was not the faintest clue to the identity.

But upon examination it was discovered that the body of the skeleton was twisted and displaced (as no shock of the exhumation could have effected ) and the garments grasped tightly as in a vice in the clenched finger bones, showing undoubtedly that a terrific struggle had taken place in the last narrow house and home of the once-beautiful, early-loved and lost bride. Even the long raven tresses, which were as fine and perfect as ever, were bit fast in the fleshless teeth as though with the last despairing, smothered cry and grasp of death.

“It was a terrible shock,” said Mr Gulliver. “To think of the poor girl suffering like that — and, undoubtedly, on her wedding day, too.”

It was soon after the reburial of the coffin, in another corner of the cemetery, when passers-by began reporting seeing a figure hovering by the graveside.

“One night while I was having my tea,” said Mr Gulliver, “I heard a clatter of horses’ hoofs on the hard road. A few minutes later a man came knocking on my door in a terrible fright. He said that he had seen the ghost and it frightened his horse. He galloped away but it was following in his direction. I wanted him to come back and show it to me, but he would not venture so I did not bother going. I thought he had seen a cow in the cemetery as they often broke in to eat the long grass.”

“Next day there was much talk going on among a few of the men of ghosts and suchlike. Others laughed at them and told them that it was only imagination. They bet some money that no one was game enough to go to the cemetery after dark and visit the grave.”

One chap took the bet. Mr Gulliver was not witness to the exploits that evening but, the next day, he was given the following details:—

“Take me with you, take me with you” — this cry in a high-pitched unearthly voice startled the chap who went visiting the grave in the evening.

“Who is there?” he asked nervously.

There was no reply, nor was anybody to be seen.

Then the voice came again. “Take me with you.” Again there was nobody to be seen.

Then, from out the corner of his eye, he saw something sitting up. He turned to see a woman upright in her grave — the one freshly dug — her face decayed, her fingers twisting the hairs of her head, and she beckoned to him and spoke in a weak voice, “I did not deserve to die. Take me with you.”

The man began to hurry away, pursued by the voice, and finally broke into a terror-stricken run, arriving almost exhausted at the cemetery gates. He had been so overcome that since the incident he had not returned to work, and was reported as being “attacked by fits”.

Black cloud over the bride

haunted bride

Wales is a land of bards, storytellers and preachers; the seclusiveness of the country and the exclusiveness of the language have perhaps tended more than anything else to bring about that peculiar Welsh poetic temperament that prompts their universally known annual gatherings and gives rise to those theological musings and raptures so characteristic of the people.

It is also a land of ghosts.

What is it about the green hills and valleys of Wales that attracts apparitions? Is it the ancient mountains shrouded in mists and rain which evoke a land where time has been stilled? Or is it the dark secrets and stories which remain to tell over the fires at night time?

No matter the whys and wherefores of this trove of richness, the ghost tales of Wales retain a lively existence on the lips of the forebears of these original storytellers and one could spend a lifetime wrapped spellbound in their telling.

Here is but one of them… Continue reading

Poetry-reading, gymnastics and other unforgivable ghostly behaviour!

unghostly behaviour

And finally, something a little less serious for a Friday!

A code of conduct for ghosts, taken from ‘Yankee Notions’, 1838:

Ghosts have been very badly treated by people in general, and if we do not turn over a new leaf, I am under some apprehensions that the whole army of sprites will discontinue their visits, in resentment of these affronts, so that before long, there will not be a ghost to be seen for love, money, or murder. This catastrophe, I grieve to say, seems to be approaching already, for ghosts are not half so common as they were in the days of my grandmother.

Strict justice, however, compels me to say, that the ghosts themselves are somewhat to blame in the matter, their behaviour at times being a little antic and anomalous. There are faults on both sides ; which hoping I may remedy, I offer the following suggestions for the consideration of both parties, and let ghosts and ghost-seers lay them to heart.

In the first place, a ghost should never wear a night-cap. Some readers may doubt whether the thing has ever been done ; but the fact is unquestionable ; ghosts in night-caps have been seen by too many credible persons to allow of any doubt upon this point.

I protest, however, against any such head-dress for a member of the tartarean regions; it is unghostly, and ought to be abandoned. If a ghost has any sense of propriety, let him appear with a bare sconce; it is much more respectable. Some indulgence may perhaps be claimed for a bald ghost, especially considering the coolness of the night air. My great-grandfather, who was a ghost-seer of some talent, used to recommend a wig; but this, I think, would never be endured: a ghost in a wig! what an unspiritual costume. No, — wigs will never do. A white handkerchief might serve every purpose, provided it were not tied on, for that would look night-cappish again.

Secondly, a ghost should never pull a man by the nose. Here again I may be asked, “Have ghosts ever been addicted to nose-pulling?” I am not certain; but the story goes that they have. I pronounce it wrong in toto; it is undignified and improper. If a ghost wishes to give any person so sensible a token of his presence, let him bestow a sound bang upon his noddle: this would be emphatic and decisive ; there would be no mistake about it. But as to our noses, — hands off! No ghost that has any regard for his character, will clap his digits to your olfactory projection. This suggests another thought. Continue reading